Disclaimer: I got caught up in an epic vacation, so these are late, but still necessary, because it’s important to highlight horror:
For most of us cinephiles, we remember the first time we saw a movie, whether it be in the theater, or at home. If the film shakes you, positively or negatively, there’s a residue left that seeps into your memory and makes it challenging to let go. Well, I don’t want to- so I’m going to highlight some Kristy horror history for this wonderful, special, month of October.
It isn’t an easy thing to sustain tension over the course of a feature, and one of the most recent films that unexpectedly did this exceptionally well was Don’t Breathe. As a new-and unnecessary sequel IMO, though I’ll probably still watch it- was recently released, it makes sense to touch on this particular thriller that stood out at a time when it wasn’t easy to do.
I can comfortably admit that when I first saw this movie I didn’t expect much. While not loaded with the exact same premise, I had seen enough of “similar” genre fare to know this had the potential to disappoint. Well, there are two sides to the coin, and this landed positively, up. Even now, as I show this to new audiences, I’m excited to see reactions, because, while not perfect, Don’t Breathe, is a worthy inclusion in this Spooktober because it works to do exactly what it aims to do. With so many floundering titles, that’s, truly, something.
The film starts from an interesting angle. Our main cast is a trio of young thieves, some more likable than others- Rocky (Jane Levy), Alex (Dylan Minnette), and Money (Daniel Zovatto) decide to rob a blind military vet (Stephen Lang) who is supposedly sitting on a lot of cash. Horrible right? It could mean a new start for Rocky, and like any movie of the like, the last “score” they’ll need. From the very beginning, there’s an obvious bad feeling that only increases with each new scene. This isn’t going to be good. Who do you even root for here? That conundrum makes for a fascinating dichotomy that continues for… a good while. Until, eventually, with a dose of just an absurd disturbed decision, forces our audience to choose sides.
Directed by Fede Alvarez, it’s clear that he has an affinity for the genre, and I can appreciate what he infuses by building and sustaining the thrills through the course of the narrative. In many ways, the characters are constructs, not really filled out, and that’s okay. You don’t have to really be rooting for them, to still feel invested in what is happening. Don’t Breathe is often a teeter-totter, between characters, moments, and often- even rooms. What will this new scenery bring? Can they survive? Can they navigate in the dark, and avoid being heard? There’s enough there to prolong our attention and curiosity and that alone is imperative when making a film such as this.
are you Afraid of the Dark?
Don’t Breathe also goes for the creepy factor, full force at times. There’s a taut pin-drop route, that always seems to keep you hooked. The unpredictable nature of the film helps to steer you around unsuspecting, darkened corners that will have you peering between your fingers.
Is this the best of the genre? Hardly. However, Don’t Breathe does manage to steer the audience at its will, making it difficult to not watch until the credits, wondering what will come of our cast, friend/foe/both, and ultimately enthralled regardless.
I’d say that’s a pretty successful horror/thriller, right?
Let me know what you think!