For most of us cinephiles, we remember the first time we saw a movie, whether it be in the theater, or at home. If the film shakes you, positively or negatively, there’s a residue left that seeps into your memory and makes it challenging to let go. Well, I don’t want to- so I’m going to highlight some Kristy horror history for this wonderful, special, month of October.
Disclaimer: These are late, but still necessary, because it’s important to highlight horror:
2005 was the year of the “movies about people stuck in caves with weird creatures” and while The Cave is entertaining and funny (in ways it shouldn’t be) The Descent is much better and legitimately creepy. I remember watching it for the first time and it made me realize how discomforting itty bitty spaces can be, and also, how even watching someone else on screen deal with this, can prove to be nauseatingly effective.
Neil Marshall‘s film plays on fears that many of us have: enclosed spaces deep into the ground, darkness, and not to mention, the blood-thirsty things that dwell in the unseen recesses of a cave. Well, if that wasn’t one before, it may very well be now.
When a group of friends, who often go on risky excursions, decide to go cave-diving in the Appalachians, things go horribly wrong. Forced to find another way out to survive, they’ll also have to battle off the creatures that rule these caves, and they…are hungry. Among the women is Sarah (Shauna Macdonald), whose recent loss of her husband and child, weighs heavily on her, and while these thrill-seekers think they know what they are getting themselves into it, they are proven wrong, frequently.
With production design that’s truly genius, there are also some interesting camera tricks to make this space somehow feel even smaller, danker and more terrifying. The use of light (and lack there of) as well as the blood soaked crevasses, is also expertly done, making the limited locale feel never ending. The creature design remains great, even now. See the picture below for their beauteous look.
The writing (also by Marshall) gives us a cast of female characters that feel real, fully realized, with their own histories and relationships between them. There’s a lot here to incur unpleasant reactions, and it’s one that may have you anxious to run out into the sunlight and open space soon after, as The Descent delivers on suspense. It’s a grim tale that provides a 99 minute rush of blood to the head.
Add in some strong performances and chilling score, and The Descent becomes quite the intelligent, scary little film. Who knew claustrophobia could be fun? This is horror done right.
Also, check out Marshall‘s Dog Soldiers if you’re looking for a werewolf fix!