Weekly Watch Recs 3/22-3/28 Oscar Nominations Edition

There is so much content out there! Any ideas?

Well, naturally we all have different tastes, but I figure I’ll throw out a few suggestions each week, just in case one strikes your fancy. 

I may not get to do this every week, because- well- there may not be things I aim to passionately recommend. Last week’s big movie news came in the form of the Snyder Cut of Justice League. While it was an obvious improvement on it’s previous, messy version, I didn’t love it. However, many of you out there may enjoy it (it is still entertaining at time) in all of it’s four hour glory. If so, head over to HBO Max.

In other Comic book news, we received our next Marvel series last week on Disney+ with Falcon and the Winter Soldier. This six part limited series has currently dropped two episodes and it’s must watch for any MCU fans out there. There is a lot of exploration into characters that we haven’t gotten yet.

Invincible (2021)- source: Amazon

 

Also- the animated adaptation of Invincible arrived on Amazon Prime this week. It’s already given us 3 episodes to gobble up, and this one- I would definitely recommend! Quite the stacked cast. 

For this week I figured I talk about the Best Picture Oscar nominees you can watch before the big day. There’s eight this year and all of them are now available to watch. Yay!

Minari (2020)- source: A24

 

2020 (The lost year) may have sucked for many reasons, but for film, you’ll find it was quite stellar. I really feel like it was the year of the indie, and there’s a lot of new and seasoned voices providing some incredible and beautiful art. It’s a wonderful thing for these all to be available to everyone. With the Oscars about a month away, there’s plenty of time to catch up. These are all available on a wide variety of streaming services too, making it easy to experience them. There are also several styles and genres on display (still no horror, sadly, but the lack of representation of that genre in the Oscar’s is a whole other story…) with two female helmed films (making me very happy). There are some heavy emotional hitters in this list, making them quite unforgettable in their own ways:

Mank (David Fincher) “1930s Hollywood is reevaluated through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish Citizen Kane.” It is streaming on Netflix!

Promising Young Woman (Emerald Fennell) “Nothing in Cassie’s life is what it appears to be — she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs from the past.” It is available to rent on Amazon Prime (regular rental fee)!

The Father (Florian Zeller)”A man refuses all assistance from his daughter as he ages. As he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.” It is available to rent on Amazon Prime (19.99 price)!

The Father (2020)- source: Sony Pictures

Nomadland (Chloé Zhao) “>A woman in her sixties who, after losing everything in the Great Recession, embarks on a journey through the American West, living as a van-dwelling modern-day nomad.” It is streaming on Hulu!

The Trial of the Chicago 7 (Aaron Sorkin) “The film is based on the infamous 1969 trial of seven defendants charged by the federal government with conspiracy and more, arising from the countercultural protests in Chicago at the 1968 Democratic National Convention. The trial transfixed the nation and sparked a conversation about mayhem intended to undermine the U.S. government.” It is streaming on Netflix!

Judas and the Black Messiah (Shaka King) “Offered a plea deal by the FBI, William O’Neal infiltrates the Illinois chapter of the Black Panther Party to gather intelligence on Chairman Fred Hampton.” It is streaming on HBO Max!

Minari (Lee Isaac Chung) “A Korean American family moves to an Arkansas farm in search of its own American dream. Amidst the challenges of this new life in the strange and rugged Ozarks, they discover the undeniable resilience of family and what really makes a home.” It is available to rent on Amazon Prime (19.99 price)!

Sound of Metal (2019)- source: Amazon

Sound of Metal (Darius Marder) “A heavy-metal drummer’s life is thrown into freefall when he begins to lose his hearing.” It is streaming on Amazon Prime!

Do I have favorites? Of course! However, I know that each of movies deserves a place here, which means that some of you might love ones that I don’t. For that reason alone, I’m keeping my personal picks out of it (feel free to ask me though and I’ll tell you) and encouraging you to decide for yourselves! There are also many other films in other categories worth seeking out, but for now, watch away!

Let me know what you think!

Weekly Watch Recs (3/7- 3/14)

Weekly Watch Recs (3/7- 3/14)

There is so much content out there! Any ideas?

Well, naturally we all have different tastes, but I figure I’ll throw out a few suggestions each week, just in case one strikes your fancy. 🙂

This week consisted of some 2020 catch ups, and some Apple TV+ ones, all, very worthy. This time…two shows and a movie.

Weekly Watch Recs (3/7- 3/14)
source: AppleTV+

Servant

This a series that should have any horror fan basically begging for it (yes, that was me.) I was glad, in this instance, that I waited, because it allotted me the opportunity to just consume nearly two seasons of content. And, I can’t tell you enough, that this is definitely a wonderfully weird, creepy, spectacularly performed and conceived series. Keep an eye on this one, 👀.  Streaming on Apple TV+.

Weekly Watch Recs (3/7- 3/14)
source: AppleTV+

Ted Lasso 

Anyone who knows me, knows I love good, silly, humor. I also tend to love some good heart-warming entertainment. Ted Lasso is like the Friday Night Lights of now, and it’s delightful. With a spectacularly funny and quirky performance from Jason Sudeikis and cast, it’s a show that unexpectedly wraps you up in a big hug. The first season is currently streaming on Apple TV+.

Weekly Watch Recs (3/7- 3/14)
source: Paramount Pictures

Love and Monsters

It has been a process, but I’m finally catching up to some of the 2020 film content. Part of it was a resistance to paying a ridiculous price to watch at home, and another was time. Well, this is rentable, and YOU SHOULD.

This a fun, hilarious, and yet endearing fantasy of a film. Dylan O’Brien leads as the narrator and protagonist of this story, taking us 7 years into a future where the world is run by various kinds of monsters. He’s looking to reconnect with the woman he loves and brave the dangerous lands to do so.

This was an unexpected treat, and I’d say go for it. Plus, bonus points for having a canine companion. That’s so rare, and I love it. This film is available to rent VOD.

Happy Watching! If you do, tell me your thoughts!

Appreciation Review: Planet Terror

Appreciation Review: Planet Terror (2007)

An appreciation review is for a film that I love that I feel hasn’t received its due! All in the spirit of giving films the spotlight they deserve! (According to me). Because film is subjective of course, but I hope to change your minds.

Disclaimer: Ironically, this also ties into Wonderfully Weird, because, let’s be honest, this isn’t a universally “got” film.

There are so many quotes from this film that I spew on a daily basis, so apologies (sorry- not sorry) if that happens often during this review. It’s just the ideal amalgamation of horror, comedy, and outright randomness that makes Planet Terror iconic.

Appreciation Review: Planet Terror
source: Dimension Films

A zombie (not really zombie, but zombie) government invented disease ravages local residents. Have we seen this before? Perhaps. In this delectably bizarre/hilarious way?

Helllll no.

“That Boy’s Got the Devil in Him”

Thank you Robert Rodriguez for this, and for a few others I might throw into the mix, to be continued) even if there’s plenty of his that I’m not as sold on. This first shot in the grindhouse combo unleashed a mess of guts, a random testicle storing/obsession (by the wonderful Naveen Andrews) of his victims, to Freddy Rodriguez’s honed “notorious” ability to kick ass as “El Wray” it is a ride. Not to mention an assortment of other acting gems like Michael Beihn (his on-going rivalry with brother Jeff Fahey’s for the ultimate BBQ recipe) and Rose McGowan with a machine gun/rocket launcher leg. To name a few. All of this may seem chaotic, and potentially not real, but it all really happens. It fits like a perfectly attached wooden appendage during an apocalyptic event when you need a leg.

Yeah, that’s Planet Terror.

This movie transcended a lot of previously used (sometimes abused) themes and made it original. At a time when one might wonder: how is this possible? Well, through a sense of obscurity, originality, and also, a healthy dose of throwback. The grindhouse appeal is a selling point, but the movie excels beyond the aesthetic, nostalgic touch. In simplest terms, it’s campy horror fun, with an assortment forced to come together (some overcoming their sordid pasts) to prevail over the evil looming here. 

“I’m Going to Eat Your Brains, and Gain Your Knowledge.”

One of my favorite aspects of Planet Terror, other than the humor that sneaks into every scene, some hilarious one-liners, is the style. If you’ve seen a lot of Rodriguez’s filmography, you know he’s got this in spades, but Planet Terror brings it to another level. It’s soaked in its grindhouse vibe, much like the other within the film duo, Death Proof. Another being The Machete movies, which came out of the wonderfully ridiculous trailers between the two films. Whether it be the gore or the sparks of the explosions, the effects and visuals pop. Also, props to the badass choreographed scene of Freddy Rodriguez‘s character fighting his way through a hospital ward and Josh Brolin’s creepy doctor. It’s exploitation, it’s throw-back horror, it is embracing the campiness with a wide-toothed, bloody grin. 

What do you think? Let me know!

Weekly Watch Recs

There is so much content out there! Any ideas?

Well, naturally we all have different tastes, but I figure I’ll throw out a few suggestions each week, just in case one strikes your fancy. 🙂

Nomadland (Chloé Zhao) Uniquely beautiful, incredibly moving; Nomadland is a film that needs to be seen or rather, experienced, to understand its power. Frances McDormand is just as wonderful as she always is, giving one of her best in a powerful, yet quiet, performance. This is easily one of the best films of 2020 and, hey, it was released on Hulu last month! I’m not going to stop hyping this one.

Wandavision Yeah, I am an MCU fan, and this limited series just wrapped. Best time to binge! It’s really one of the most interesting things to come out of Marvel recently, and a great place to start Phase 4. There’s a weirdness that’s lovely, and Elizabeth Olsen and Paul Bettany are both incredible, enriching these characters and their relationship, that hadn’t previously gotten their due on screen. It also packs some surprising emotional punches, especially with Olsen as a woman grieving. On Disney+ (of course).

The Stylist (Jill Gevargizian) I reviewed this one over on Film Inquiry and I absolutely adored it. It’s a horror/thriller about a young hair stylist who is also a blossoming serial killer, and who craves connection. It features terrific performances and a lead (Najarra Townsend) who you can really sympathize with. It’s on Shudder!

Happy watching! And if you do- tell me your thoughts!

Appreciation Review: Only Lovers Left Alive

Appreciation Review: Only Lovers Left Alive (2013)

Recently, during our #BlindspotPodcast for Film Inquiry, Jake Tropila recommended a movie I had been meaning to watch for a long time: Only Lovers Left Alive. Why had I missed this? Who knows…life, time…all of the things considered in this newfound cinematic love.

This was a movie even referred to by my co-host as a “Kristy” film, which is exactly why I am taking the time to talk about how amazing it indeed is.

A vampire film, an existential contemplation on meaning and immortality, a funny, yet intellectual foray into the minds of humans (and our supernatural counterparts)= lovely cinema. There’s a lot to adore with Jim Jarmusch’s film, in a way you may not expect. I left the film satisfied and imbued with emotion, deep in thought, and self-reflection.

How’s that for a genre piece?

Tom Hiddleston (Adam) and Tilda Swinton (Eve) are amazing as the two leads. There’s a chemistry and yet a disconnect (in the most beautiful of ways) and I mean that in the sense that these two have been apart, and yet can be reunited with instant fire; it’s magnetic. A love story for many, many, ages. When Eve discovers that Adam is having a difficult time she immediately goes to his side. They’re forever entwined.

Appreciation Review: Only Lovers Left Alive
source: Soda Pictures, Pandora Film Verleih

There are other terrific supporting roles from the likes of the tragically lost talent of Anton Yelchin to the amazing versatile Mia Wasikowska, to the incredible John Hurt. But, the real passion of this film comes from our leads and an imaginative almost lyrically profound story that is unlike anything that has come before. There’s a real appreciation for cinema, while also emphasizing on the admiration of the human experience.

Anytime someone can introduce a new facet to the “vampire“ sub-genre, I’m thrilled. It’s moody, it’s prolific, with the usual deadpan humor one can expect from this director’s cache, and Jim Jarmusch truly excels here, crafting an interesting character study that is also a blast to enjoy. While there’s a richness here within the narrative, there’s also an overall sweetness that prevails.

Jim Jarmusch weaves a lovely story here that mixes humor and sadness, highlighting intricacies while examining the simple moments of our daily existence. This is complete with music (some from Jarmusch’s band: SQURL) that truly sweep you off your feet. In fact, there are many times I felt like I was floating through this film, elevated by how artfully in tune it is. I believe this to be his best work, and it’s atmospherically encompassing. An intellectually inviting, endearing, and wonderful movie. And yes, there are vampires too.

Bonus!

What is your take? Let me know!

Appreciation Review: It Follows (2014)

Appreciation Review: It Follows (2014)

An appreciation review is for a film that I love that I feel hasn’t received its due! All in the spirit of giving films the spotlight they deserve! (According to me). Because film is subjective of course, but I hope to change your minds.

In the last decade of filmmaking few films have hit me as high (picture a carnival hammer hitting the top bell) on the horror scale as much as It Follows. I have suggested this movie to more people than I can count and the reasoning is simple: it’s one of the best, most original, and long-lasting cinematic encounters of the genre. Especially in recent history.

Appreciation Review: It Follows (2014)

Some might classify this in its barest form (undeservingly so) as a thriller about youngsters spreading a curse through sex. Yes, if you want it to be defined in the most generic way, perhaps, but that’s part of the excellency here, it exceeds this notion, and while it may be a metaphor for unprotected sex and transmitted diseases, its nature is a much more prolific and terrifying one.

After Jay (Maika Monroe) sleeps with her new boyfriend, a haunting reality is passed onto her. Her only way out is to continue the process, further spreading the “virus.”

Apart from some of the creepiest imagery in recent movies, David Robert Mitchell‘s It Follows enlivens multiple horrific elements: being stalked (obviously), feeling alone and unbelieved, as well as internally deeply attacked, and the inevitable suffering. Though in this tale, our main protagonist has a support system, and while the others can’t always see the ghoulish followers, they sense (and sometimes see) the effect. What’s seen is truly chilling. Some of my favorite displays on-screen of fear incarnate.

It’s a gut-punch of a horror, of course, in a great way. Whenever I have shown this to someone I get giddy in their reactions. That’s because it is visceral and completely overwhelming. Exactly what you strive for in a film like this. It’s also shot with beautiful cinematography coupled with a score and feel that echoes more classic, retro horror. Monroe’s terror is thoroughly perceptible, a bona fide horror queen (soon to come another love of mine The Guest) where she’s also sensational.

For any fan of this particular genre: this is a must-see. One of the best, stylish, more recent horrors you’ll discover. It will creep up on you, and won’t let go.

What are your thoughts? Let me know!

Can the finale of THE STAND save the entirety?

If you are going to have an entire section devoted to an icon, why not have it be Stephen King? A personal literary hero of mine, I’ll be tackling some of the best and worst of the adaptations (and let’s just say- there’s a lot) with more to come. All hail the King of horror.

I reviewed the series for Film Inquiry recently, and the trajectory of my enjoyment went from thrilled to disappointed. This was one of my favorite novels, and so the bar was already high. Unfortunately, it didn’t quite hit the marks I was hoping for. When I wrote the review I had only seen the first six episodes and as they were released, I was really excited to see what was to come next. Would it be enough?

Can the finale of THE STAND save the entirety?

I know it’s a common remark (and even a joke made in the most recent It: Chapter 2) that King has trouble with his endings. Well, for me, in this particular novel, that wasn’t an issue. Still, this series seemed to have been filled with amazing content, terrific casting, and lots of potential- so why wasn’t it working? There were three episodes left to go and I was filled with anticipation, trepidation, and a mess of curiosity.

This is the End, My Only Friend, the End.

Stephen King wrote the finale (Coda: Frannie in the Well) which changed the ending of the novel (and also subsequently the previous miniseries). There were aspects of the new close that I liked, so, overall, it left an impression. Mostly? A yearning for more.

Frannie (Odessa Young) is one of my favorite characters, especially within the miniseries, so I was thrilled that it was shown that she wanted to brave the roads again to head back to her hometown in Maine. As the finale (spoiler) showed, the focus of the episode was their trip across the country, and her eventual run-in with Randall Flagg (Alexander Skarsgård) as she is faced with a choice. Without spelling out what that was or pointing out some of the more ridiculous elements of Flagg’s request, I’ll just say that she proved to be exactly what we thought she was: resilient and strong.

In its closing moments, which finds us also getting another perspective from Mother Abigail (Whoopie Goldberg) we also see, what was one of my favorite aspects of this new take, was the potential future for Flagg. That fascination made it worth it, for me, in the end. What else can/will he do?

But was it enough? Did it save the miniseries that had so much initial promise? This is a story (and I feel- still, It is another that could benefit from a longer form) that needs more time, that needs more backstory, that has so many weaving tales and intriguing characters. Therefore, this truncated version of this massive undertaking, just… isn’t enough.

It breaks my heart, but, this is one adaptation that wasn’t saved, even by the King himself.