Recently, during our #BlindspotPodcast for Film Inquiry, Jake Tropila recommended a movie I had been meaning to watch for a long time: Only Lovers Left Alive. Why had I missed this? Who knows…life, time…all of the things considered in this newfound cinematic love.
This was a movie even referred to by my co-host as a “Kristy” film, which is exactly why I am taking the time to talk about how amazing it indeed is.
A vampire film, an existential contemplation on meaning and immortality, a funny, yet intellectual foray into the minds of humans (and our supernatural counterparts)= lovely cinema. There’s a lot to adore with Jim Jarmusch’s film, in a way you may not expect. I left the film satisfied and imbued with emotion, deep in thought, and self-reflection.
How’s that for a genre piece?
Tom Hiddleston (Adam) and Tilda Swinton (Eve) are amazing as the two leads. There’s a chemistry and yet a disconnect (in the most beautiful of ways) and I mean that in the sense that these two have been apart, and yet can be reunited with instant fire; it’s magnetic. A love story for many, many, ages. When Eve discovers that Adam is having a difficult time she immediately goes to his side. They’re forever entwined.
There are other terrific supporting roles from the likes of the tragically lost talent of Anton Yelchin to the amazing versatile Mia Wasikowska, to the incredible John Hurt. But, the real passion of this film comes from our leads and an imaginative almost lyrically profound story that is unlike anything that has come before. There’s a real appreciation for cinema, while also emphasizing on the admiration of the human experience.
Anytime someone can introduce a new facet to the “vampire“ sub-genre, I’m thrilled. It’s moody, it’s prolific, with the usual deadpan humor one can expect from this director’s cache, and Jim Jarmusch truly excels here, crafting an interesting character study that is also a blast to enjoy. While there’s a richness here within the narrative, there’s also an overall sweetness that prevails.
Jim Jarmusch weaves a lovely story here that mixes humor and sadness, highlighting intricacies while examining the simple moments of our daily existence. This is complete with music (some from Jarmusch’s band: SQURL) that truly sweep you off your feet. In fact, there are many times I felt like I was floating through this film, elevated by how artfully in tune it is. I believe this to be his best work, and it’s atmospherically encompassing. An intellectually inviting, endearing, and wonderful movie. And yes, there are vampires too.
What is your take? Let me know!