Weekly Watch Recs 4/25-5/2

There is so much content out there! Any ideas?

I won’t regale you with some of the total misfires I experienced this week when watching new content (though one will get its own review this weekend), but I will give a some suggestions!

The Mitchells vs The Machines

source: Netflix

Technology takes over the world and while on a bonding family road trip The Mitchells become unexpected heroes.

The animation is terrific and there are wonderful themes about family, technology, and… MOVIES. 😍 Who doesn’t love a animated tale with equal shares of laugh out loud moments and heart? It may be because I share a real kinship with the lead character, but this was a delightful experience.

You’ll have feels after.

Special shoutouts to all the film references, the Furby throwback, Doug the Pug, Journey album covers and The Shining socks.

Streaming on Netflix

The Handmaid’s Tale Season 4

source: Hulu

If you’re a fan and you’ve managed to hang on this long I’m sure I don’t need to tell you, but you should watch the newest! I have had *thoughts* on whether or not we need more of this show, and depending on where this goes, I’ll have more. Until then..

While this is a gloomy viewing experience, there are some emotional reunions that really hit home, and some shifts in environment and direction that provides new life. As always, amazingly acted, beautifully shot.

But prepare your emotions accordingly.

Streaming on Hulu with new episodes every Wednesday.

source: Netflix

Bonus: For some strange reason I was late to the game on this one, but I finally watched The Old Guard (on Netflix) and loved it! I would definitely recommend watching Charlize Theron kick ass, any day of the week.

Have you watched these? Let me know your thoughts!

Weekly Watch Recs

There is so much content out there! Any ideas?

Well, naturally we all have different tastes, but I figure I’ll throw out a few suggestions each week, just in case one strikes your fancy. 🙂

Nomadland (Chloé Zhao) Uniquely beautiful, incredibly moving; Nomadland is a film that needs to be seen or rather, experienced, to understand its power. Frances McDormand is just as wonderful as she always is, giving one of her best in a powerful, yet quiet, performance. This is easily one of the best films of 2020 and, hey, it was released on Hulu last month! I’m not going to stop hyping this one.

Wandavision Yeah, I am an MCU fan, and this limited series just wrapped. Best time to binge! It’s really one of the most interesting things to come out of Marvel recently, and a great place to start Phase 4. There’s a weirdness that’s lovely, and Elizabeth Olsen and Paul Bettany are both incredible, enriching these characters and their relationship, that hadn’t previously gotten their due on screen. It also packs some surprising emotional punches, especially with Olsen as a woman grieving. On Disney+ (of course).

The Stylist (Jill Gevargizian) I reviewed this one over on Film Inquiry and I absolutely adored it. It’s a horror/thriller about a young hair stylist who is also a blossoming serial killer, and who craves connection. It features terrific performances and a lead (Najarra Townsend) who you can really sympathize with. It’s on Shudder!

Happy watching! And if you do- tell me your thoughts!

Appreciation Review: Only Lovers Left Alive

Appreciation Review: Only Lovers Left Alive (2013)

Recently, during our #BlindspotPodcast for Film Inquiry, Jake Tropila recommended a movie I had been meaning to watch for a long time: Only Lovers Left Alive. Why had I missed this? Who knows…life, time…all of the things considered in this newfound cinematic love.

This was a movie even referred to by my co-host as a “Kristy” film, which is exactly why I am taking the time to talk about how amazing it indeed is.

A vampire film, an existential contemplation on meaning and immortality, a funny, yet intellectual foray into the minds of humans (and our supernatural counterparts)= lovely cinema. There’s a lot to adore with Jim Jarmusch’s film, in a way you may not expect. I left the film satisfied and imbued with emotion, deep in thought, and self-reflection.

How’s that for a genre piece?

Tom Hiddleston (Adam) and Tilda Swinton (Eve) are amazing as the two leads. There’s a chemistry and yet a disconnect (in the most beautiful of ways) and I mean that in the sense that these two have been apart, and yet can be reunited with instant fire; it’s magnetic. A love story for many, many, ages. When Eve discovers that Adam is having a difficult time she immediately goes to his side. They’re forever entwined.

Appreciation Review: Only Lovers Left Alive
source: Soda Pictures, Pandora Film Verleih

There are other terrific supporting roles from the likes of the tragically lost talent of Anton Yelchin to the amazing versatile Mia Wasikowska, to the incredible John Hurt. But, the real passion of this film comes from our leads and an imaginative almost lyrically profound story that is unlike anything that has come before. There’s a real appreciation for cinema, while also emphasizing on the admiration of the human experience.

Anytime someone can introduce a new facet to the “vampire“ sub-genre, I’m thrilled. It’s moody, it’s prolific, with the usual deadpan humor one can expect from this director’s cache, and Jim Jarmusch truly excels here, crafting an interesting character study that is also a blast to enjoy. While there’s a richness here within the narrative, there’s also an overall sweetness that prevails.

Jim Jarmusch weaves a lovely story here that mixes humor and sadness, highlighting intricacies while examining the simple moments of our daily existence. This is complete with music (some from Jarmusch’s band: SQURL) that truly sweep you off your feet. In fact, there are many times I felt like I was floating through this film, elevated by how artfully in tune it is. I believe this to be his best work, and it’s atmospherically encompassing. An intellectually inviting, endearing, and wonderful movie. And yes, there are vampires too.

Bonus!

What is your take? Let me know!