Appreciation Review: It Follows (2014)

Appreciation Review: It Follows (2014)

An appreciation review is for a film that I love that I feel hasn’t received its due! All in the spirit of giving films the spotlight they deserve! (According to me). Because film is subjective of course, but I hope to change your minds.

In the last decade of filmmaking few films have hit me as high (picture a carnival hammer hitting the top bell) on the horror scale as much as It Follows. I have suggested this movie to more people than I can count and the reasoning is simple: it’s one of the best, most original, and long-lasting cinematic encounters of the genre. Especially in recent history.

Appreciation Review: It Follows (2014)

Some might classify this in its barest form (undeservingly so) as a thriller about youngsters spreading a curse through sex. Yes, if you want it to be defined in the most generic way, perhaps, but that’s part of the excellency here, it exceeds this notion, and while it may be a metaphor for unprotected sex and transmitted diseases, its nature is a much more prolific and terrifying one.

After Jay (Maika Monroe) sleeps with her new boyfriend, a haunting reality is passed onto her. Her only way out is to continue the process, further spreading the “virus.”

Apart from some of the creepiest imagery in recent movies, David Robert Mitchell‘s It Follows enlivens multiple horrific elements: being stalked (obviously), feeling alone and unbelieved, as well as internally deeply attacked, and the inevitable suffering. Though in this tale, our main protagonist has a support system, and while the others can’t always see the ghoulish followers, they sense (and sometimes see) the effect. What’s seen is truly chilling. Some of my favorite displays on-screen of fear incarnate.

It’s a gut-punch of a horror, of course, in a great way. Whenever I have shown this to someone I get giddy in their reactions. That’s because it is visceral and completely overwhelming. Exactly what you strive for in a film like this. It’s also shot with beautiful cinematography coupled with a score and feel that echoes more classic, retro horror. Monroe’s terror is thoroughly perceptible, a bona fide horror queen (soon to come another love of mine The Guest) where she’s also sensational.

For any fan of this particular genre: this is a must-see. One of the best, stylish, more recent horrors you’ll discover. It will creep up on you, and won’t let go.

What are your thoughts? Let me know!