Haunt-Tober Day 17, 2023: Vax (Barak Shpiez)

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

What does the scariest concept look like? Is it something that touches on familiar fears while also pushing the scope? Or is it the unimaginable?

In Barak Shpiezโ€™s Vax, it does the former, with a conceit that feels eerie and effectively perpetuates our already dormant (or not so much) concerns in a succinct package.

It’s 2003, and researcher Geoff (Cade Carradine) begins his shift at his lab where he has been working on a malaria vaccine. However, today, he notices that in one of his samples, the virus is missing.

He goes to his supervisor, Eric (Ricco Ross), and the two figure discover that they may have finally found the cure. But what about the lost sample?

Their discussion shifts to the decision to hide what’s happened and move forward with the win, keeping the potential disaster a secret, and cashing in on their findings.

Worst Case Scenario

When you have a position of power such as this and handle such important samples, there’s really no opportunity for a mess-up. Geoff knows the dangers, and he’s sweating. But the film poses an intriguing question of morality.

source: Barak Shpiez

Vax utilizes the tension it builds early on as the clock ticks down, uncertain of the full consequences that may have occurred.

This 12-minute short manages to create ample suspense, in some ways more effectively than other full-length features.

The idea has a lot of avenues it could take as a feature, but for now, this short leaves us on an intriguing open note. What will they do? It focuses on greed, power, and the inevitable morality of having such a grand decision in oneโ€™s hands.

It is a very impressive short and a taut example of a medical thriller done right. I wanted more!

Vax is a riveting bit of horror that proves to be effectively posing valid questions and boasts excellent direction from Barak Shpiez.

Todayโ€™s winner:

Haunt-Tober Day 16, 2023: The Monster Squad

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

Monsters run amok, terrorizing a vulnerable town, and only a group of geeky youngsters can put an end to their reign. Enter 1987’s The Monster Squad.

This squad comprises a tight-knit circle of friends who share a profound fascination for the iconic Universal Monsters. Led by the charismatic Sean Crensha (played by Andre Gower), the group also includes his sister Phoebe (portrayed by Ashley Bank), whose ardent desire to participate is palpable, as well as their loyal comrades Horace, Rudy, and Eugene.

When Dracula descends upon the town, he brings with him an unholy alliance of Frankenstein’s monster, the Wolfman, the Creature from the Black Lagoon, and the Mummy, their nefarious intentions looming large. Armed with the diary of the legendary monster hunter Dr. Van Helsing, Sean and his friends embark on a thrilling adventure to safeguard their beloved community.

source: TriStar Pictures

Directed by the talented Fred Dekker and co-written by Dekker and the renowned Shane Black, The Monster Squad may have its imperfections, but its abundance of heart and sheer enjoyment make it impossible to part ways with this film without a beaming smile. The movie effortlessly encapsulates Shane Black’s trademark witty banter and comedic brilliance, while proudly embracing the distinct aesthetics of the 1980s. Whether this nostalgic homage is viewed as a drawback or a virtue largely depends on personal taste.

Personally, I relish a touch of delightful cheesiness, particularly in a film that revolves around the audacious dreams of children battling formidable monsters.

The Monster Squad is an enchanting cinematic experience, brimming with nostalgia and punctuated by unforgettable one-liners.

Today’s Winner:

Haunt-Tober Day 15, 2023: The Nightmare Before Christmas

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

I canโ€™t think of October- December without this Henry Selick directed and Tim Burton born, classic. Even now after rewatching (many times) I am left in awe of the artistry and the wonderful stop motion work. It conjures quite a spell and still continues to be a favorite among the masses.

Jack (Chris Sarandon) the pumpkin kingโ€™s, (lover of the macabre and ruler of Halloweentown) life is about to change as he finds out about the existence of Christmas. Heโ€™s filled with the unexpected desire to give and become his own version of Santa Claus, which, while well intended, brings disastrous results.

One of the most beautifully crafted of Danny Elfman‘s creations, The Nightmare Before Christmas dances on in your psyche, singing a song that’ll never leave you and will always give you a routinely coherent combination of eerie and emotional, Christmas and Halloween, that is endlessly satisfying.

source: Buena Vista Entertainment

The writing and story at the center is wonderfully weird (yeah, I did it) and truly genius, especially when combined with the art form they chose. The animation is flawless and smooth and has a lot of detail that makes this a masterpiece of craft.

โ€œItโ€™s a world unlike anything I have ever seen.โ€

This isnโ€™t the first Burton project I have written about and it certainly wonโ€™t be the last. While this isnโ€™t my favorite this does have a special place in my heart and it really speaks to me. The animation and story have a child like wonder but the themes and aesthetics are hauntingly emotional. It is also a fun story that reminds you why this time of year is so special.

Itโ€™s a testament to its staying power and importance to the holiday season.

Along with the incredible original songs and a vibe that truly speaks to film fans and outcasts alike, there is also a lovely central romance. Sally (Catherine O’Hara) and Jackโ€™s connection is that kind of fateful love story you yearn to see, and itโ€™s the soul of the picture.

The Nightmare Before Christmas is unique and timeless, a magical adventure thatโ€™ll delight the senses and steal your heart.

Todayโ€™s winners:

More to come!

Haunt- Tober Day 14 2023: The Faculty

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

There’s something about The Faculty that evokes nostalgia, an irreverent sense of fun, and a cool cast of young stars that perfectly captures the essence of its time. For me, it has become a film that I can watch over and over again.

Directed by Robert Rodriguez (and written by Kevin Williamson), this teen sci-fi/horror movie is an exhilarating and youthful take on the genre mix.

Strange things are happening at Herrington High School, affecting both the student body and the faculty. Drastic changes in personalities are occurring, and a group of eclectic teenagers, who usually keep their distance from each other, start noticing the patterns and become the best defense the community has.

When in doubt, look to the movies

As I mentioned before, the cast is outstanding. We have the rebellious Zeke (Josh Hartnett), the class nerd Casey (Elijah Wood), the outcast Stokely (Clea DuVall), the popular Delilah (Jordana Brewster), her boyfriend Stan (Shawn Hatosy), and the new arrival to the school, MaryBeth (Laura Harris).

The film oozes with style and pays homage to past works. While some argue that it borrows from previous movies, I believe The Faculty stands as a fair contributor of homages. It offers a “modern” take that incorporates the 90s vibe and includes clear references to films like The Thing and Invasion of the Body Snatchers.

source: Miramax, Dimension Films

The adult cast is also remarkable, featuring longtime horror talents such as Famke Janssen, Robert Patrick, Salma Hayek, and the late, amazing Piper Laurie.

Are there issues with the film? Yes, but The Faculty deserves its place among the classic and influential films of the 90s. It feels unapologetic and possesses a charm that aligns with the portrayal of teenage movies from the past.

The movie includes some wonderfully grotesque sequences, including a shower scene with lumpy flesh and hair that will linger in your memory. At the end of it day it can get a bit funky with its effects, and I love it.

With a soundtrack that truly rocks and an undeniable feel of foreboding scares, The Faculty also possesses a unique blend of creativity and an engaging mix of talent that sets it apart as its own strange organism.

The Faculty is an engaging story that breezes by with an energetic fervor that doesn’t slack on bringing on the horror when it needs to.

Todayโ€™s winner:

Much more to come!

Haunt- Tober Day 13, 2023: Dylanโ€™s New Nightmare: A Nightmare on Elm Street Fan Film

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

Dylanโ€™s New Nightmare: A Nightmare on Elm Street Fan Film a sequel to New Nightmare, is a lovingly created ode to a series that was monumental to the genre. Writer/director Cecil Laird opens the door to the past while interestingly bringing us into the future.

It’s creatively compelling, utilizing elements of the work that inspired it while showing an overall prowess. Our new Freddy (Dave McRae) and the designs, music, makeup, and costumes all feel like they were plucked from one of the films themselves. As a fan myself, that’s a beautiful thing to see.

Miko Hughes returns as Dylan Porter, a struggling actor and the fictional son of A Nightmare on Elm Streetโ€™s Heather Langenkamp.

The editing, cinematography, gore and sound effects are pretty stellar. For a movie that is just under thirty minutes it packs enough punch and draws enough blood to leave a mark.

I like the element regarding therapy, clinging to the explanation that a reasonable person would assume when hearing about such a terror.

In the scene there is a consistently clicking pen, as if slowly driving one insane, or trying some form of manipulation, and it is wickedly crafted bit of suspense.

This keeps to its inspirations in an intelligent fashion. In many ways, it speaks to the horror lover at my core and the creatorโ€™s as well. Being able to make a piece of art that is connected to one that you hold dear, is a remarkable thing. This never feels like a fan film or low-budget. Yes, you can see it at times and a few scenes donโ€™t feel as cohesive, but itโ€™s forgivable.

While I canโ€™t say that I was ever scared by this character I have always appreciated his snarkiness, campiness, and the general creepy idea that is inherent when you consider the possibility of dreams being deadly. This is all maintained throughout in this small helping of horror.

Dylanโ€™s New Nightmare: A Nightmare on Elm Street Fan Film is a talented reinvigoration of a nightmare welcomingly reborn.

You can watch the film online here! Dark Matter TV is doing a giveaway for a screening, follow them on Instagram here!

Todayโ€™s winners:

More to come!

Haunt- Tober Day 12 2023: The Final Girls

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

Amazon’s recent release of the horror comedy Totally Killer reminded me of another film that deserves more recognition: The Final Girls.

The similarities between the two movies are actually quite astonishing. Both feature a slasher killer and incorporate an element of time travel (or something similar), as well as a young girl interacting with her mother at a similar age.

The Final Girls is original, hilarious, and uniquely fitting as both a homage to the genre and an entertaining new experience in its own right.

In many ways, The Final Girls shares the self-awareness of The Cabin in the Woods, using and playing with the tropes of the genre with comedic ease. However, it also carves out its own presence with a fresh and engaging story.

The film follows Max (played by Taissa Farmiga), who tragically loses her mother Amanda (Malin ร…kerman) unexpectedly. When Max attends a screening of Camp Bloodbath, a movie her mother starred in, she finds herself transported into the 80s slasher film with her friends, where she must learn to survive alongside her mother.

Director Todd Strauss-Schulson creates a retro, horror movie-fueled world that immerses the audience and makes them feel as though they are trapped alongside the characters. The film manages to strike a balance between silliness and relatability, making The Final Girls a truly enjoyable experience.

source: Stage 6 Films

The supporting cast, which includes Adam DeVine, Thomas Middleditch, Alia Shawkat, Alexander Ludwig, and Nina Dobrev, adds to the film’s strength. Once in the movie, the characters realize they are trapped unless they play out the events of the film, raising the question of who will survive this time around.

The chemistry between ร…kerman and Farmiga is wonderful, and their relationship is touching. This, combined with the sharp comedy, is one of the reasons why The Final Girls succeeds. The film manages to blend heart and gore in a captivating way.

The Final Girls is a hidden gem that fits delightfully well into the subgenre of horror-comedy. It features witty dialogue, entertaining gags, and an underlying sense of emotional reverence.

It is one to seek out and let yourself have fun with. Just make sure you see it to the end.

Who doesnโ€™t love a final girl?

Todayโ€™s winner:

Plenty of more Haunt-Tober to come!

Haunt-Tober 2023 Day 10: 1900- 1903 Horror Shorts

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

Magic. I say this word often and with good reason. Movies, in all of their delicate glory, are pieces of pixie dust sprinkled through our television screens.

The three silent films from 1900-1903 that I am about to discuss conjure such a word. These moving pictures are our history, our start, and they are feats of ingenuity and creativity.

In a sense the first three all feel like a magic show. The way the ghosts appear and reappear or woman is severed in half. For their time the editing and design are fantastically eerie and doesnโ€™t require a word. All three are from various places around the world.

Faust and Marguerite (1900) –Edwin S. Porter

This is a one minute short and it works like a single line story would on camera. It isnโ€™t flashy but this story, based on a play, provides depth in a small dose.

Sometimes less is more. This inspires more mystery and questions than anything but its question mark is an enticing one to contemplate.

When a man tries to convince another to behead a woman and he refuses, he takes her place.

This US production isnโ€™t the most stylistic or expansive, but it still leaves a mark on its viewer.

The Haunted Curiosity Shop (1901) –Walter R. Booth

My favorite of the trio, The Haunted Curiosity Shop is a ghostly delight.

It seems that there are some spirits amidst the store. These hauntings weave in and out and strike quite the curiosity from the store owner.

Itโ€™s a simple enough premise that never feels that way. Sometimes, a gentle apparition based tale is enough. The fact that Walter R. Booth was a magician is no surprise this UK film serves as a bewitching experience and showcase for the performer.

The Infernal Cauldron (1903) – Georges Mรฉliรจs

This fun little number feels somehow more fantastical than the others, a rich lineup of moments that pop off the screen. The set design is a lively renaissance looking background.

The cauldron is getting fed as a demon throws three individuals inside. When they turn into flames they seek revenge and chase the demon down. Eventually, it feasts on one more as he leaps inside.

This French silent film boasts imagination that would inspire many a horror and fantasy to come.

As trailblazers for cinema to come, each deserves a watch, and all three are easily available to track down online!

Todayโ€™s winners:

2023 KINO Short Film Fest

We’re so excited to share with WW&H Filmmakers & Film Lovers alike the 2023 KINO Short Film Fest. Proudly sponsored by Panavision & Final Draft. Applicants and filmmakers from all over the globe can submit short films in all genres.

The winning filmmakers will receive one of two top prizes:
The Judgeโ€™s Choice of $25,000
The Peopleโ€™s Choice of $5,000
Other prizes awarded:
Best Drama Short
Best Comedy Short
Best Experimental Short
Best Documentary Short
Best LGBT Short
Best Horror Short
Best Sci-Fi Short
Best Animated Short
Best Student Short

Films are also eligible for consideration for KINO (a film finance company) to collaborate with a filmmaker to make their feature film. No other film festival offers this. Each category will be adjudicated by a series of working professionals specializing in that genre (i.e. Animation = Pixar Animator. Horror = SAW Franchise Writer etc.) Winners will be announced live in Los Angeles on January 31st, 2024 at the historic Hollywood Legion Theater.

APPLICANTS CAN SUBMIT HERE.
Discount Code: โ€˜WW&Hโ€™ for one-time submission for WW&H Filmmakers.
OR a KINO Pro option at $12.99/mo (this one is great if filmmaker has more than one short as multiple submissions are included + industry workshops, events and more)
For more information, check out:
KINO Website
KINO Instagram


KINO PRO is a community and a network of filmmakers that collaborates and builds the future
of film together. We connect the right people to epic opportunities.
Part of KINO’s MISSION is to build a network of creatives while championing and supporting emerging filmmakers. Beyond submitting your short, you’ll be able to create a public profile and include each cast/crew that participated on your short film. This creates the opportunity to celebrate each role on a film set and get noticed for your work outside of this competition. KINO is creating the bridge from emerging to working filmmaker. We look forward to seeing how YOU tell stories.


Questions?
Donโ€™t hesitate to reach out.
brit@kino.studio

Haunt-Tober 2023 Day 8: The Invisible Man (2020)

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

When it comes to taking on a canon like this, a film needs to truly stand out, and The Invisible Man certainly achieves that. Adapted from the classic H.G. Wells novel, this film cleverly infuses a modern flair into the story by exploring themes such as domestic abuse, gaslighting, and the impact of technology on our lives, all while maintaining its ability to frighten.ย 

Our protagonist Cecilia Kass played by the remarkable Elisabeth Moss, manages to escape the clutches of her abusive husband, the wealthy optics engineer and businessman Adrian Griffin (Oliver Jackson-Cohen). It requires her to go to extraordinary lengths to disappear, and even after she discovers that he is supposedly “dead,” her instincts persistently tell her that he is still relentlessly hunting her down.

She stays with her childhood friend, Detective James Lanier (Aldis Hodge), and his teenage daughter, Sydney (Storm Reid).

Moss’s performance exhibits incredible depth, portraying her character with unwavering intensity and strength, despite her crumbling circumstances. The antagonist, too, is menacing, intelligent, and maniacal, embodying a mad scientist whose mind-boggling inventions serve to further his own agenda of control.

source: Blumhouse

The Invisible Man is a thought-provoking thriller that expertly utilizes suspense to keep the audience in the dark. The cinematography skillfully employs angles and effects to emphasize the concept of invisibility, further immersing viewers in the experience.

The film masterfully blends psychological horror, jump scares, and an ongoing sense of unease, continually leaving you on edge, wondering when and if the invisible man will reveal himself. Is he watching at this very moment? Lurking in the shadows? The terror experienced in this film extends beyond Moss‘s exceptional portrayal, as the keen direction creates a palpable paranoia that sends shivers down the audience’s collective spine.

The script doesnโ€™t waste a moment. Thereโ€™s no excess and each scene and line of dialogue or purposeful lack thereof is thrilling. Writer/director Leigh Whannell has really honed his craft and this is just another stunner to add to his filmography.

And let’s not forget to mention the absolutely stellar visual effects that truly add to the film’s overall impact, and push this film into an inherently unsettling place: the idea of being watched.

The Invisible Man is an intelligent and creepy adaptation that is anchored by one of Moss‘ best.

Todayโ€™s winner:

Haunt-Tober 2023 Day 7: The Ring

While horror movie watching is a year-round event, this is that time of year when all of us can flourish, embracing the weird.

So, come one, come all, beasties unite! Itโ€™s Haunt-Tober time!

The Ring, a remake of the Japanese film “Ringu,” is a standout among remakes, leaving a lasting impact on audiences. Directed by Gore Verbinski, the film masterfully captures the unsettling nature of a killer video tape.

The story follows journalist Rachel Keller (played by the talented Naomi Watts) as she delves into the investigation of a disturbing and cursed video tape after her niece’s gruesome death. The tape, rumored to claim the lives of those who watch it within seven days, becomes a ticking time bomb for Rachel and her young son.

Naomi Watts delivers a performance that is both complex and relatable, immersing the audience in Rachel’s fear and genuine reactions to the mounting terror. The haunting line “seven days” uttered by a mysterious voice over the phone after watching the tape sends chills down your spine, leaving you with an ominous sense of impending doom.

source: DreamWorks Pictures

What sets The Ring apart is its ability to create a genuinely creepy and unique atmosphere without relying on tired horror clichรฉs. The film finds simplicity in its eerie tone, successfully blurring the line between reality and the paranormal. It skillfully plays with supernatural elements while maintaining a sense of believability, ensuring that the concept of a deadly video tape never feels silly.

The film’s dark visuals, accentuated by a haunting musical score, effectively build tension and keep audiences on the edge of their seats. The color scheme, with its prevalent blue and gray tones, adds to the overall sense of unease, creating an atmosphere that feels as murky as the well that houses the young girl, Samara.

And who could forget the unforgettable twist ending? The implications of the twist leave you with more questions and speculations, deepening the impact of the film. There are also some visceral moments (including the montage of how people look when they die) that terrifies.

The Ring captivates audiences with its original concept, atmospheric horror, psychological thrills, compelling characters, and a twist ending that resonates long after the credits roll. It is a film that leaves you unsettled, bone deep, and eager to unravel its mysteries.

Todays winner: