Spooktober Day 31: Halloween (1978)

For most of us cinephiles, we remember the first time we saw a movie, whether it be in the theater, or at home. If the film shakes you, positively or negatively, there’s a residue left that seeps into your memory and makes it challenging to let go. Well, I don’t want to- so I’m going to highlight some Kristy horror history for this wonderful, special, month of October.

Well, here it is, the last day of Spooktober. Because of a vacation that swept me up, and off my feet, I didn’t get to finish these by the end of last month, but- isn’t Spookytime, kind of every day?

It seemed fitting to finish with the film named after the last day of the month (and of course) the original, John Carpenter one. I’ve got some thoughts about the sequels, Rob Zombie’s takes, and the newest by David Gordon- Green, but I’m just going to spend the last of Spooktober 21′ talking about the O.G. Not only was this the first of its namesake, but it was really the defining slasher that would spawn many others, each hoping to capture its atmosphere and thrills.

source: Compass International Pictures

I first saw this at a young age (of course) and I remember loving it immediately, struck by the quaint neighborhood and the day to day lives that seemed so innocent and bland, as they suddenly became haunted. Even just Michael Myers watching from behind shrubbery seemed ominous.

It’s Halloween night in Haddonfield, Illinois, and a group of teenagers are being stalked by a killer who has escaped a local Sanitarium 15 years after murdering his sister. Laurie Strode (Jamie Lee Curtis), is known by most even slightly aware of pop culture for good reason: she’s a memorable, tough and a relatable female protagonist. Curtis, who is the daughter of Janet Leigh (known for the iconic Psycho- you may have heard of it) really gave us the iconic scream queen we wanted, and needed.

The movie is also surprising, for its subgenre, in a way, because of its disciplined use of gore and blood. When you think of Halloween, it is the dread that’s coming for the characters, in the face of (Well, William Shatner) but, ultimately, evil.

Halloween is generous with its pacing, and by the time Michael Myers makes his first kill, it’s built up with a unique amount of suspense. There’s no reason a film like this needs a fast-paced murder fest. Rack up the tension, and when they come, the audience will feel them significantly more.

source: Compass International Pictures

John Carpenter has mastered how to do horror (and movies in general) and knows how to capture a mood that embodies a film. This is meticulously made, with every decision working to craft the stylistic, iconic film many of us hold so dear.

The simple (not to be confused with bad) and enduring score by Carpenter is like the icing on this diced up cake. It’s like the inner dialogue for our killer, never letting up and making the entire film musically endowed with a spooky cadence. As he never speaks, and doesn’t give us any reason for his actions, so much of Myer’s is unexplained and unsettling. He’s a seemingly soulless, villain, and from the unforgettable prologue of the film, the frame of mind for the film is set.

Halloween resounds due to its expert work of direction and carefully built tension with a reminder that darkness exists in even the most peaceful of places. It’s still scary today, and a staple of the holiday-watching season.

Happy Halloween beasties! With so much more horror to talk about, this won’t be the end.

Appreciation Review: The Thing (1982)

Appreciation Review: The Thing (1982)

This is an opportunity to appreciate the more horrific things in life, especially when it comes to my favorite platform: movies.

How could I not start off this column with one of my favorite horror movies of all time? While this is hardly ever an easy thing to answer (in any genre) John Carpenter’s The Thing, always makes it to my lips. This movie not only left a cinematic impression, I felt it.

To this day, it is rare for a film to be as instrumental in my love for the genre as much as this movie. It’s one that I can watch repetitively, and believe me I do, and still find new things I adore each time. Isn’t this the gift of great cinema?

When you are approaching a remake it’s difficult to elevate yourself from the source in a way that brings in new fans and satisfies old alike. Carpenter managed to excel at this, taking the 1950’s version and making it scarier, tenser, and somehow even more memorable.

This is, The Thing.

The Thing (1982) source: Universal Pictures

One of my favorite elements in horror films, be it psychological, a creature-feature, slasher- what have you, is when the story takes place in a limited, if not a singular primary setting. There’s something inherently eerie about the isolation of this group of men in Antarctica, trapped by both weather and circumstance, forced to question their sanity and…ultimately, one another.

It’s like Invasion of the Body Snatchers but there’s an even smaller group potentially “infected”. How do you know if this… “thing” has gotten the others? How can you trust your friend, your co-worker, if it’s possible it’s some alien/entity trying to consume you (and I mean CONSUME, in some of the best practical effects/body horror/make up ever). It’s what all horror connoisseurs crave; a mysterious and evocative beginning, a steady burgeoning of tension, and enough left unexplained leveled with the right amount of terror shown.

Another element that The Thing has going for it is the casting. While Kurt Russell is a pretty household name, here, as pilot R.J. MacReady, complete with long hair and one of my favorite on-screen beards, he’s incredible. 

I’d be remiss if I didn’t mention the genius of Ennio Morricone‘s score. It’s a beautifully strange combination that matches the mixing of sci-fi and horror. It’s synth, it’s subtle, and yet it’s bone-chillingly apt. In fact, there’s nothing ineffective about the making of The Thing.

In my opinion, it’s a masterpiece of filmmaking, of suspense building and maintaining, and one of the most iconic horror movies you’ll ever see.